


Interestingly there’s a character in that story named “Dupin.” Ahem. His life inspired countless (swashbuckling) adaptations, including an American adaptation published in Burton’s Gentleman’s Magazine in 1828, entitled “Unpublished passages in the Life of Vidocq, the French Minister of Police,” which Poe very well might have read. de Scuderi (who might be considered a predecessor of Miss Marple) finds a stolen string of pearls.Īnd no nineteenth-century detective lineage would be complete without Eugène-François Vidocq, a criminal-turned-criminologist who lived from 1775-1857 and who founded and ran France’s first national police, the Sûreté nationale, as well as France’s first private detection agency. Hoffmann wrote Das Fräulein von Scuderi, in which a nosy woman named Mlle. In William Godwin’s 1794 novel Things as They Are or, The Adventures of Caleb Williams, a scathing indictment on the so-called justice system’s ability to ruin lives, state-sanctioned investigators are disavowed in favor of non-traditional problem-solvers.

In 1747, Voltaire wrote a philosophical novella exploring the theme of problem-solving, Zadig ou la Destinée, featuring a wise young man in Babylonia whose knowledge gets him in trouble but often ultimately saves him. Literature was on its way to this discover certainly, there had been a long lineage of characters who operated similarly, tracking down stolen objects and cracking impossible puzzles, and, like Dupin, doing so as private citizens, rather then as agents of the state. If Poe had not solidified the conventions that we recognize as marking the modern detective story, others likely would have done the same not long after. It might be safe to say no one else would conclude that.) He narrates his discoveries to his good, book-collector friend (who is an anonymous and often-awed first-person narrator).
C AUGUSTE DUPIN STORIES SERIES
Murch writes, the detective story is one in which the “primary interest lies in the methodical discovery, by rational means, of the exact circumstances of a mysterious event or series of events.” Critic Peter Thoms elaborates on this, defining the detective story as “chronicling a search for explanation and solution,” adding, “such fiction typically unfolds as a kind of puzzle or game, a place of play and pleasure for both detective and reader.” The well-heeled Dupin is an armchair detective who solves puzzles because he can, using a process called “ratiocination,” in which he basically ‘thinks outside of the box.’ (And it’s a good thing he does, or no one will solve these crimes the murderer of “The Murders in the Rue Morgue” turns out to be an escaped orangutan.
